19th Cent. European History

Seurat s Grande Jatte is one of those rargon works of art that stand tot wholey its transcendence is instinctively recognized by everyone . What makes this transcendence so mystical is that the theme of the work is not some serious-minded emotion or momentous event , unless the most(prenominal) banal of workaday scenes Parisians enjoying an afternoon in a local anaesthetic park . to that extent we never seem to fathom its baffling power . exotic still , when he blushing mushroomed it , Seurat was a mere 25 (with totally seven more geezerhood to live , a young man with a scientific speculation to kick upstairs this is hardly the recipe for success . His guess was optical : the opinion that painting in dots , kn take in as pointillism or divisionism , would scram a brighter color than painting in strokes Se urat spent ii old age painting this picture , concentrating fastidiously on the landscape of the park before focusing on the stack always their shapes , never their personalities Individuals did not interest him , only their professional person forma grace There is no untidiness in Seurat all is beauti skilfuly balanced The park was quite a noisy send let out : a man blows his bugle children reckoning around , there are dogs . Yet the impression we find is of silence , of regard , of nothing dised . I think it is this that makes La Grande Jatte so sorrowful to us who live in such(prenominal) a dised sphere : Seurat s domination . There is an intellectual lucidness here that sets him free to paint this petty(a) park with an astonish poetry . Even if the people in the park are pairs or groups , they still seem only if in their concision of form - alone but not lonely . No figure encroaches on another s quadrangle : all coexist in peace This is a ex istence both very and unreal - a sacred c! reative activity . We are a lot harried by salve s pressures and its speed , and many of us think at quantify : Stop the world , I want to work over arrive at !

In this painting , Seurat has stop the world and it reveals itself as bonny , sunlit , and silent - it is Seurat s world , from which we would never want to get offStudious , solitary , painstaking Georges Seurat died at the age of 31 , overworked and largely unacknowledged . His professional life did not last more than longer than seven years , and in that time he sell two pictures . thereof , as someone has pointed out he was twice as successful commercially as Van Gogh , who sold only one . f ortunately , his family had means , and he did not have to depend on his painting for his livelihood , for his method acting of work tortuous untiring labor and patience . Seurat was that seem contradiction in art , a methodical aeriform His researches in the theory of color were extensive , and he ostensibly thought of his pictures as demonstrations of the painting method he had evolved . scarcely beyond his chemical mechanism there was a feeling for paint , and beyond that his industrious effort to realize a formal structure with its own interior harmony . He took from the impressionists their archness of color , but like...If you want to get a full essay, order it on our website: OrderEssay.net

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